These defaults are designed to cover standard Mk3 observations. Nonstandard observing includes the following, which are not covered here :
For observations now dipoles should be parallel (mode "22", ++). During the phase zero determinations they should be crossed (mode "21", +x) to allow easy determination of the X-Y phase differences. These are usually stable for several days, but can be different at different frequencies.
Here are octal control codes in use at present (oct95). These do vary from time to time so the user should see the WSRT online documentation on the program STFMA. See here
Recent (oct98) tied array without phase switching used 001012.
Recent (oct98) tied array without phase switching used 023033.
with MFFEs only code 22 is possible as the dipoles do not rotate.
See memo V#0032.MEM by Bregman
Because of the fixed cabling and the specific ASTI frequencies (105,130,155 and 180MHz) the centres of DCB bands always come into the Mk3 IF at certain frequencies, provided the IF/Pol select box has the mixer set to 285MHz:
DCB band Mk3 IF freq
/MHz
B3 F4 98.75 (reserve) [105-6.25]
B7 F8 111.25 [105+6.25]
B2 F3 123.75 [130-6.25]
B6 F7 136.25 [130+6.25]
B1 F2 148.75 [155-6.25]
B5 F6 161.25 [155+6.25]
B0 F1 173.75 [180-6.25]
B4 F5 186.25 [180+6.25]
Note that the 8MHz usable bandwidth allows us to have VC settings only from 4MHz below to 4MHz above these values, and that we must also account for the width of the lower sideband for frequencies below (modes A and B only) and the width of the upper sideband for frequencies above these central values.
The normal astronomy convention is that IF1 has left circular polarization (LCP) in the `NOR' input and IF2 'normal' input has right circular polarization (RCP) in the `NOR' input. The circular polarizations are created from the input linear polarizations in the IF/Pol Select box. The connection of IFs and video converters is shown in the Mk3 rack diagram.
Assuming standard 2MHz bandwidths and the normal continuous frequency coverage (with two VCs per DCB band for modes A and B), the video converter settings come out as follows for 6, 18 and 21cm. All frequencies are in MHz:
mode A A dual B C dual E VC 1 134.25 134.25 134.25 134.25 134.25 2 109.25 134.25 134.25 3 138.25 138.25 138.25 136.25 136.25 4 113.25 138.25 136.25 5 146.75 146.75 146.75 138.25 138.25 6 121.75 146.75 138.25 7 150.75 150.75 150.75 144.75 144.75 8 125.75 150.75 144.75 9 159.25 159.25 159.25 146.75 146.75 10 175.75 159.25 146.75 11 163.25 163.25 163.25 148.75 148.75 12 184.25 163.25 148.75 13 171.75 171.75 171.75 150.75 150.75 14 188.25 171.75 150.75
At 92cm where we have never used the full bandwidth, and only used 7 video converters (mode E) we use one DCB band per video converter. The video converter is centred on the DCB band and the DCB bandwidths are all set to 5MHz to minimize overlap. This gives
mode E VC 1 111.25 3 123.75 5 136.25 7 148.75 9 161.25 11 173.75 13 186.25
For convenience (and possible future dual polarization mode C observing) even video converters should be set the same as the odd video converter below, i.e. VC2=VC1, VC4=VC3 etc.
Each different wavelength will also have its own individual frequency and bandwidth setups. See section Tied-array setups per wavelength